The voice as undiluted as ever, un-
mixed with the water of time, pure wine this
earthly afterlife -- what believers
mean by the space between baptism and
death, when the body's warm of a midsummer's
dream (the teeming crowds and footlights, the
edges of seats, the applause, the repeats; the
flowers you've picked swan-colored, the note hand-
written, to dawn consecrated, you're smitten and
waited, standing, for her call at the curtain), when
all that's created is certain of being kept
dear, of becoming -- before that endless
night is slept, the voice as clear as
breathless evening --, in its coming-to-be, the
fullness of is: the loving of pouring
out, of drinking in, of thinking --
this the antidote to doubt -- how
better it is to have "slumbered here
while these visions did appear", and
nodded -- blissful mystery -- during the play.
(Edited and transcribed 20 September 2009, begun in smallest kernel -- the title -- 14 September 2009. I owe the rest of the poem to four interlocutors, one the quoted author, one a noted scholar, one an amazing actress, one an amazed (like Theaetetus) philologist. I think that even those still living have never met each other, but I imagine that they -- and I -- would enjoy the conversation. In its stead, the poem.)
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