Hope for mutation in the copying chain, hope
recession plays out its polydactylous hand,
variations like grains of sand, raisins of sand or
trains or brains or mainframes or manned
spaceflight probes, engine block and
ceramic black tile for home, the heavy
planet's embrace always
hot to the touch --
she loves you so much (and
you love her so much) --, and
as you fall for her, to her, at and into her:
skip of the feather-tipped whisp of
white tendril atmosphere, hot rock of
ship, lake and steelyard surface of earth: where a
group of oxygen triplets used to be, now
gone of all flesh, ashes to ashes, rust and
just another bald spot, scald from within, as if
follicles fell to tin men with their skintone
hatchets and spill so much maple syrup blood from the
trees: mottle waffle-pattern stretch and snap taut to the
skin, drumbeat from within as if jungle of
brains, folds of Amazon neurons, pirahnic river
bends of thought and great
cleft of calloscum: lost
deep are the things you haven't thought of in years for
fear of discovery, disconcert of honesty, or reprisal, no reprieve but for
leave from daily life in the sun, after-
burn melanomic before it's begun.
(Edited 05 July 2009, begun 01 June 2009. A couple sort-of sonnets, or twenty-eight lines broken up as if two sonnets, riffing on cycles like Spenser's, Sidney's, and -- above all, behind them all -- Petrarch's.)
I love what you're doing here! Do you prefer blogging your poetry to publishing it? What do you think of the difference?
ReplyDeleteMy poetry is so personal, I just can't see getting it out in the blogosphere, somehow I need to be certain I'm not a total loon by having a referee accept/reject it...
'Word-drops' is a perfect expression for what I'm reading.
ReplyDelete